#ANIMATRICE MASCULINE OR FEMININE HOW TO#
#ANIMATRICE MASCULINE OR FEMININE PLUS#

A pioneering generation of artists began making art in the 1980s in the UAE, which was then a newly formed nation. His article demonstrates how the producers of an episode of SAC, through semiotic cues, attempt to reflect and shape Emirati sociocultural values on pious gendered clothing and perceptions of modernity.Įlizabeth Derderian, in her contribution, “Engendering Change: Charting a History of the Emirates through Women Artists,” explores the intersection of gender, identity, and art in the UAE by charting the work of six female artists based in the UAE between 19. Of particular interest for the topic of this special issue, AlMaazmi’s analysis specifically contributes to discussions of politics of piety and gendered conflict talk by analyzing the strategic illustration of UAE’s female fashion sense and use of the linguistic features that move verbal dueling to verbal attack. One of the significant recurrent themes in the show are fashion and gendered conflict talk. Depending on the episode, it subtly challenges, reproduces, or selectively furthers and complicates social personas in Emirati society. Through his analysis of this show, AlMaazmi suggests that the comic representation of day-to-day topics is used here as part of the process of reproducing Emirati group recognizability, thus consolidating their social citizenship. Emirati popular culture – as mediated in animated sitcoms – is an integral part of the public discourse and imagination of gendered pious fashion and conflict talk, and SAC is one of the earliest and most successful Emirati animated sitcoms in its portrayal of the tapestry of the United Arab Emirates’ ( UAE) ethnic, racial, and linguistic diversity. In “The Apocalyptic Hijab: Emirati Mediations of Pious Fashion and Conflict Talk,” Ahmed Yaqoub AlMaazmi examines an Emirati animated sitcom, Shaabiat Al-Cartoon ( SAC), in order to understand the idiosyncratic concerns of what represents the quintessential characteristics of Emiratis in relation to clothing and language. It is therefore essential that debates around gender and identity in the Gulf are framed within discussions that give voice to both masculine and feminine cultural constructions and representations. The discussion of both masculine and feminine constructions and representations is important as it recognizes that these categories are not necessarily discrete but are interconnected and interrelated. The editors and authors are particularly interested in exploring how both masculinity and femininity are constructed and represented in the Gulf region. In addition, the issue explores how gender and identity intersect within the Gulf to produce distinct modes of cultural representation, both tangible and intangible. The authors of each essay seek to unpack the social, political, and economic structures and discourses that underpin gender identity construction in the Gulf, thus providing a framework from which to recognize the structures of power and the dominant ideologies that operate locally, nationally, regionally, and internationally. The essays in this special issue address a gap within the literature by analyzing and interrogating the sociocultural production of gender and identity. In “La Manche”, you can eat camembert and visit the Mont-Saint-Michel.The ways in which gender and identity are both constructed and represented in the Gulf is an important and underrepresented area of academic inquiry. Dans La Manche, on peut manger du camembert et visiter le mont Saint-Michel. This French noun also gave its name to a French département (= administrative subdivision) in Normandy. It’s in “la Manche” (= the Sleeve, the English Channel) that we can find the biggest colony of bottlenose dolphins in Europe.

#ANIMATRICE MASCULINE OR FEMININE PLUS#

Example: “Mets ton bras dans la manche.” (= Put your arm in the sleeve)įaire la manche means begging, panhandling.įinally, La Manche is the English Channel, between England and France.Ĭ’est dans la Manche qu’on trouve la plus grande colonie de grands dauphins en Europe. Une manche is also a sleeve, for clothing. “La partie se joue en trois manches” (= A game is played in three rounds.) In the feminine, la manche can also mean a lot of different things.

#ANIMATRICE MASCULINE OR FEMININE HOW TO#

You don’t know how to sweep, you’re doing it terribly! Give me the handle of the broom. In colloquial slang, it’s also someone who’s terrible at what they’re doing – especially when we say s’y prendre comme un manche (“ doing something terribly, clumsily”)įor instance: Tu ne sais pas balayer, tu t’y prends comme un manche ! Passe-moi le manche du balai.

In the masculin, un manche is a tool’s handle.

Animatrice masculine or feminine